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• I couldn't decide between these three cameras (and their variants, the Sony HX30 and the Panasonic ZX20) because many of the reviews of each made the cameras sound very similar. So, I went out and bought (from merchants who accepted returns) one of each of these three cameras (I didn't need WI-FI or GPS, so that's how I settled on these less expensive variants). And then I took photos and videos in various conditions. I am not a professional photographer, and I didn't do Imatest or any other specific tests on the images (you can read C/net for that), but this is an experience of a regular person who was taking pictures and videos with these three cameras side by side, which is a comparison that you do not often see.
• The bottom line is that these three cameras are very similar with a few minor differences, but those differences set them apart and may make you decide that you like one more than the other.
• Generally speaking, NONE of these cameras is a DSLR replacement. Whomever writes that the pictures are as good as a DSLR is not speaking accurately. Also, none of the cameras is a replacement for a high end camcorder.
• OUTSIDE PICTURES
• If you are taking pictures outside on a sunny day all of these cameras will take very nice pictures for small to medium enlargements (no bigger than 8 x 10). The cameras all produce nice fairly sharp images that would be well suited for that purpose. And, like most people, I don't remember ever enlarging a picture more than 8 x 10, so it is not a common problem.
• What might be an issue is if you are zoomed in all the way and wanted to crop a photo (which sometimes happens), the differences in the way the cameras' photos look when you "pixel peep" might make a difference. In good light outside, the cameras were close, but the best photos were from the CANON with the SONY and the PANASONIC a close second.
• INSIDE PICTURES - GOOD LIGHT
• If you are inside and you are taking pictures in low light, you will see a different story. Again, at smaller sized prints 4x6, 5x7, most people will see almost no difference between the pictures of the three cameras other than the PANASONIC's colors are a little less vibrant than those in the CANON and the SONY. I am not sure whether those colors are less accurate, they are just a little less vivid.
• If you pixel peep at these pictures, the CANON's photos are clearly the best with the PANASONIC's being second. The CANON's remain very sharp through a good amount of enlargement while the PANASONIC's, although close, get softer a little faster. The SONY's pictures inside with good light became soft rather quickly and, I'm not sure if this is because the SONY has 18MP on a small chip (as some of the tech reviewers write), but there is a "watercolor" effect where after you enlarge it a little bit, it looks like a Claude Manet painting.
• INSIDE PICTURES - LOW LIGHT
• In poor light, the hierarchy between the cameras remains the same, but there is less of a gap between the CANON and the PANASONIC. It seems as if the CANON takes somewhat worse pictures in low light, and the PANASONIC just doesn't get that much worse. As a result, the gap between these two becomes somewhat closer. The SONY's pictures remain the poorest of the three in low light.
• VIDEO - OUTSIDE GOOD LIGHT
• All three cameras take very nice video outside in good light. If you are editing or nitpicky, you will note that the SONY and the PANASONIC take 60 frames per second, which is somewhat easier to edit, than the 24 frames per second that the CANON records. While you have to look for it, the CANON's outside video does have a couple of instances where it seems to be a tad jerky compared to the SONY and PANASONIC's video. But you really have to look for it and most people won't notice if you don't have another video outside for comparison.
• While all the outdoor video is close, I would give the edge to the SONY in video, with the PANASONIC second and the CANON third. But they are close for outside video.
• VIDEO - INSIDE
• Taking video inside is a different story. Inside, the SONY shines and clearly has the best video. The video from this camera is actually good. It is not professional level by any stretch, but it is good solid quite viewable video from a camera that takes still pictures.
• There is a noticeable difference on indoor video between the SONY and the PANASONIC. This difference was perhaps most noticeable to me because I had both videos from both cameras and watched them over and over again looking for differences. While the difference is noticeable, it is not a tremendous difference. The SONY video is super smooth and seems to get as much out of the light as it can. The PANASONIC video also is smooth and gets a good contrast tone and color out of the available light, but is slightly less smooth than the SONY. The PANASONIC video is still very viewable and looks good, but not as good as the SONY.
• The CANON will take decent indoor video in good light, but in poor light, it just seems to struggle. The CANON's video had many shadows and dark areas that simply were not present in the SONY and PANASONIC videos. I did not notice any hissing in the CANON video as some of the other reviewers have mentioned. This may be an issue that varies from camera to camera.
• HANDLING AND SPEED
• This was a fairly subjective comparison between the three cameras as to how they felt in the hand and how quickly the camera did what I wanted it to do because if the camera doesn't take the shot when you want to, it doesn't really matter how sharp the picture or video might be.
• Based on my experience, the PANASONIC had the best handling of the three. While the PANASONIC and the SONY were both quick to take a picture, for some reason the SONY that I had would take a much longer time (seconds) to record the picture onto the card. This was despite the fact that both cameras had comparable cards with comparable write speeds. Both the SONY and the PANASONIC had rather quick autofocus which also made them seem to react faster. The PANASONIC is noticeably thinner and lighter than the SONY while maintaining a similar full raised rubber grip on the front which made the camera easier to handle. While both the SONY and the PANASONIC were quick, the blazingly fast (by comparison) write speeds on the PANASONIC compared with its almost non-existent shutter lag made this the best handling camera of the three by far.
• Even though it consistently took the best pictures, the CANON was the worst handling camera. The autofocus often had issues focusing and there was a constant shutter lag while it was searching for its focus. We did miss some shots because the CANON was so slow to react. Also, the CANON is somewhere in weight between the SONY and the PANASONIC, but has the worst grip of the three. That little rubber strip on the front is not as effective a grip as the fuller grip that appears on the SONY and the PANASONIC.
• With respect to handling, I've read many reviews and each of them seems to state different things about each of the cameras. Many of these reviews seem to indicate that the SONY is a very fast camera, and that might be the case, but the write speed of the 18 MP pictures (which are 50% larger than the CANON's photos and almost the same for the PANASONIC) was so slow, it was distracting and detracted from the experience of using the camera.
• VERDICT AND CONCLUSIONS
• None of these cameras is the best at everything. The CANON has the best pictures, but is slow to focus, somewhat awkward to handle and has the worst video of the three. The SONY handles okay but is heavy and has noticeably slow write speeds, its picture quality varies greatly with the light (and will deteriorate rapidly with any significant cropping) but the SONY has the best video, and it is noticeable.
• In the end I decided to go with the PANASONIC. While it only was the best in handling, to me that was a significant portion of the photographic experience. It is not DSLR fast (instantaneous), but it is a zippy camera for a superzoom, is light in weight and has a good grip which makes it easier to hold. Also, it does not have a pop-up flash which I found always seemed to come up under my fingers where I was holding the left side camera. As noted above, the PANASONIC's videos were good, perhaps not as good as the SONY, but the PANASONIC was certainly capable of capturing some nice video, even in low light. The photos also were not as good as the CANON's, but they were close and very close in low light. With respect to the vibrancy of the colors, if you set the photo vibrancy on the PANASONIC to "happy" (which I guess is their "vivid") it is less of a noticeable difference. The photos look very nice and certainly are competitive in quality for this type of camera.
• Hopefully this comparison and these observations will help you decide between these three similar cameras so you can choose the best one for your needs. Good luck.

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Capture It All

The fact that the PowerShot SX260 HS digital camera is an ultra-slim camera with a powerful 20x Optical Zoom, Optical Image Stabilization and 25mm Wide-Angle lens is only the beginning of its attractions. You'll see detail you never thought possible through the huge zoom and wide-angle lens, while the camera's 12.1 Megapixel High-Sensitivity CMOS Sensor and DIGIC 5 Image Processor deliver the rich, clear low-light performance that is the hallmark of Canon's HS SYSTEM. 1080p Full HD video in stereo is more beautiful than ever, with new high-resolution, high-speed processing. Sophisticated advancements include improved Smart AUTO that optimizes settings for 58 predefined shooting situations, Face ID that prioritizes pre-registered faces, and GPS for tracking and recording your shooting locations.

Astonishingly Slim

Ultra-slim Camera with powerful 20x Optical Zoom, Optical Image Stabilization and 25mm Wide-Angle Lens

At just over 1-1/4 inches thick, the PowerShot SX260 HS is an ultra-slim digital camera with a powerful 20x Optical Zoom. But because its lens embodies the quality and legacy of Genuine Canon Optics, its advantages go far beyond making the camera slim enough to slip in your pocket and carry anywhere. With a range of 25mm – 500mm (35mm equivalent), the lens gives you the power to capture the full breadth of scenes, with details you've never captured before. Images are bright and vivid with spectacular clarity thanks to Optical Image Stabilization.

Optical Image Stabilizer

Handheld shooting can often lead to camera shake, making photos and videos blurry. Canon’s Optical Image Stabilizer is a sophisticated system that uses lens-shift technology to correct unwanted camera movement. It makes handheld photography more practical, providing excellent image quality in many difficult shooting situations: outdoors at dusk, inside without a flash, and even at the telephoto end of the zoom range without a tripod. For photos, it enables shooting at slower shutter speeds, accommodating more low-light shooting situations than ever before without having to boost ISO sensitivity. With camera shake and vibration reduced, you get a sharper, steadier image. And because it is an optical system, there is none of the image degradation typical with electronic image stabilizers.

UA Lens Technology

Pioneered by Canon, UA Lens technology makes possible compact lenses with remarkable optical performance. By using molded glass with an ultra-high refractive index in aspherical lens elements, Canon has succeeded in reducing lens size while significantly reducing image aberrations. Another stellar example of cutting-edge Canon optics, UA Lens technology helps make PowerShot digital cameras pocket-friendly and capable of astounding image quality. 
Experience the Power

Canon HS SYSTEM

The Canon HS SYSTEM lets you take bright, clear photos in an even wider range of shooting situations. Beautiful low-light shots are possible with minimal noise and maximum detail in highlight and shadow areas. The system is the result of two technologies brought together in PowerShot cameras: a high-sensitivity imaging sensor, which is able to capture more light; and the DIGIC 5 Image Processor, which actively reduces noise with high-speed image processing. The 12.1 Megapixel Canon CMOS sensor in the PowerShot SX260 HS incorporates advanced light reception technology that enhances sensitivity. The DIGIC 5 Image Processor provides a major boost in noise reduction, expanding the usable ISO range to an amazing high of ISO 3200. The Canon HS SYSTEM thus lets you use higher shutter speeds to capture clearer images with reduced noise and blur.

Canon DIGIC 5 Image Processor

The latest-generation Canon DIGIC 5 Image Processor brings phenomenal increases in processing speed and power. Improved chip architecture and algorithms deliver greatly expanded functionality with further refinement in image quality. Improved noise reduction produces clearer images when shooting in low light at high ISO speeds. Enhanced i-Contrast performance adjusts differences between light and dark areas to achieve even more natural-looking results. The faster processing speed also results in faster continuous shooting capability while maintaining full image quality. The DIGIC 5 Image Processor also makes possible a new, highly advanced automatic white balance system. Whereas conventional white balance makes an overall adjustment based on a single type of light source, the new Canon Multi-Area White Balance analyzes several areas of the image to determine whether different adjustments are needed, for example, for the main subject and the background.

Memorable Moments in Spectacular Full HD

Canon Full HD Video Advantage

In addition to the Canon HS SYSTEM, the combination of the advanced CMOS sensor and DIGIC 5 Image Processor in the PowerShot SX260 HS makes it possible to shoot crisp, clear high definition video. Imagine the fun and excitement of being able to shoot spectacular 1080p Full HD video with stereo sound that you can later watch on your HDTV or download to your computer to share with family and friends. In addition to being able to shoot Full HD 1080p video at 24* frames per second, the PowerShot SX260 HS can also shoot 720p HD video at 30** frames per second.

Dedicated Movie Button, Wind filter feature and Optical Zoom for easy video capture

It’s never been easier to shoot videos with a PowerShot digital camera. The PowerShot SX260 HS has a dedicated movie button that lets you start and stop recording instantly. There is no need to go through layers of menus or operate switches or dials to switch to and from video recording mode. The camera is always ready to shoot stills or video whenever you want. The PowerShot SX260 HS also incorporates an electronic wind filter, which suppresses wind noise that can muffle or distort the sound. And unlike less sophisticated point-and-shoot cameras, the PowerShot SX260 HS lets you use the full range of optical zoom when you’re shooting a video.

HDTV playback via HDMI output and CEC

It’s easy to enjoy and share the videos you shoot with the PowerShot SX260 HS. Simply connect its HDMI terminal to your HDTV using an HDMI cable. And because the PowerShot SX260 HS supports HDMI-CEC technology, you’ll be able to control the playback of your images and videos on any CEC-enabled HDTV using the TV’s remote control. (CEC – Consumer Electronic Control – is part of the HDMI specification, enabling components in a system to communicate with one another.)

iFrame

With the PowerShot SX260 HS, you can also shoot video in the Apple® iFrame format, which is a computer-friendly standard that speeds up importing and editing of videos. It keeps file sizes small, making it more convenient to upload or e-mail high-quality videos. The iFrame format enjoys native support in compatible Mac and Windows video applications, making it unnecessary to perform time-consuming and often quality-degrading conversions.

A Smarter Camera Means Better Photos

Smart AUTO

Smart AUTO for the PowerShot SX260 HS has been significantly expanded, making it easier than ever to capture the sharp, bright, colorful images – and videos – you’re looking for. By assessing various factors in both the background and the subject, the system recognizes 58 predefined shooting situations and automatically selects the camera settings that will yield the best possible results. Simply frame the shot you want, and in dozens of common or challenging scenarios the camera takes care of the rest. Hard-to-capture shots such as moving subjects, night scenes, backlit subjects, and landscapes at evening or on a bright snowy day are instantly and effortlessly captured as “keeper” shots. Smart AUTO makes the PowerShot SX260 HS ideal for capturing excellent quality still images and video on the go.

Shooting Modes/Specialn Scene Modes

Manual You have complete control of exposure, selecting both aperture and shutter speed manually.
Aperture-priority You set the aperture, controlling depth-of-field. The camera automatically selects the shutter speed.
Shutter-priority You select the shutter speed, and the camera automatically selects the appropriate aperture.
Program The camera automatically and intelligently selects the aperture/shutter speed combination based on the shooting conditions.
Live View Control Enables Brightness, Color, and Tone adjustments to your images using easy-to-understand controls.
Smart AUTO The camera automatically selects the best shooting settings for optimal quality based on subjects and environmental factors to provide point-and-shoot simplicity.
Easy Easy mode, shooting is simple and relaxed the camera handles all the settings automatically.
Movie Digest in 720p HD Records a video clip in 720p HD before capturing a still image and then combines one day's worth of clips into a video.
Portrait Brings the subject into focus while beautifully blurring the background.
Smooth Skin Removes dullness, wrinkles, and harsh shadows for beautiful faces.
Smart Shutter The camera automatically takes the photo when people smile, wink, or get into frame.
High-Speed Burst HQ Captures fast-action shots at full resolution, providing continuous shooting when the shutter button is held down.
Handheld Night Scene Take clear and steady pictures at night without the use of a tripod.
Low Light For high quality image capture in an amazing range of dimly lit situations.
Underwater Capture underwater images with reduced backscatter effect. Optional Underwater Case required.
Snow Shoot clear snow scenes without darkened subjects or an unnatural bluish tint.
Fireworks Create brilliant images of skyrocketing fireworks.
Stitch Assist Easy-to-use guidelines simplify the shooting of aligned multiple frames that can later be combined (using bundled software) to create panoramic photos.
Creative Filters This setting provides easy access to special filter effects and scene modes, such as Toy Camera Effect, Poster Effect, Monochrome and more.
Fisheye Effect Now you can get the fisheye effect – a classic photographic distortion – without a fisheye lens.
Miniature Effect for Stills & Video Give images a miniature look with an effect that emphasizes perspective by blurring the top and bottom of the image.
Toy Camera Effect Simulates photos taken with toy or pinhole cameras, darkening the image at the edges to create a vignette effect.
Monochrome Choose from three single-tone effects: Black-and-White, Sepia, or Blue.
Soft Focus Creates a hazy ambiance that's perfect for portraits and wedding photos.
Super Vivid Super Vivid intensifies existing hues, saturating the scene with bright colors.
Poster Effect Poster Effect combines several similar shades into one color, turning subtle gradations into eye-catching, scene-popping contrasts.
Color Accent Choose to retain a single color in your image while other colors turn monochrome.
Color Swap Select a color and replace it with a color you specify for special effects.
Discreet Mode Disables flash, AF assist beam, and all camera sounds with one mode dial setting so you can capture images in quiet areas.
iFrame Movie The Apple® movie format, iFrame, makes it easier and quicker to import and upload videos while retaining high image quality.
Super Slow Motion Movie Record your clips in high speed (approx. 240 fps), and then watch your videos in slow motion.
Face ID

Face ID is one of the most advanced and exciting new features of the PowerShot SX260 HS, giving you an easy way to improve every shot of the people you love. Simply take a picture of up to 12 faces you would like the camera to register, then enter names and ages. Once a person is registered, the camera will pick him or her out of a group (even against a busy background) and adjust focus and exposure to his or her face, even recognizing faces in profile. Face ID is particularly great for shots of babies and children. The system can pick your baby out of a group of children, focus on your baby when pictured with an adult, and capture her best smile by taking three successive images when the smile is detected. The flash is even disabled so as not to startle the baby and interrupt the moment. Older children in motion are tracked, with focus and exposure continually adjusted with Servo AF; with one shutter press three successive images are captured so the best shot is never missed. And because you'll identify each face you register, Face ID makes it easy to search images by name.

A Steady Image Is a Beautiful Image

Intelligent IS

The latest advance in Canon Optical Image Stabilization technology, Intelligent IS analyzes camera movement and applies the best shake correction method for the shooting situation. For stills, the system automatically selects among Normal, Panning, Macro (Hybrid) and Tripod IS modes. When shooting video, the system automatically selects among Dynamic, Powered, Macro and Tripod IS modes. With Intelligent IS, you can concentrate on image capture, letting the camera make the most effective IS settings to assure the steadiest possible image.

Normal Corrects for a wide range of camera movement when shooting stills.

Panning Panning motion is detected so that IS does not interfere with desired camera movement.

Macro (Hybrid) Corrects for shift-type camera shake, which typically occurs in macro (close-up) shooting.

Dynamic Effective for video shooting at wide-angle focal lengths, eliminating the unwanted shaking that typically occurs while walking.

Powered Compensates for hand movement when shooting video at the telephoto end of the zoom range, where camera shake is magnified.

Tripod When tripod use is detected, the Image Stabilizer is stopped because it is not needed.


The Ideal Traveling Companion

GPS Technology

The PowerShot SX260 HS digital camera is equipped with Global Positioning System (GPS)* technology. Now you can travel the worldand let the camera automatically record the locations and local times of your stills and videos. The camera can also use the GPS unit to automatically set the exact time. You can maximize the usefulness of the GPS feature by using the special bundled Map Utility software that makes it fun to share the memories of your world adventures. In addition to displaying all your photos' locations on a world map, the camera's GPS system can also track your route from photo to photo – a great way to visualize each trip! You can also create and share custom maps and personal mini-travel guides with friends and family members.
*In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.
This software uses Google Maps for displaying maps.

Versatile Still and Video Shooting Options

High-Speed Burst HQ

Utilizing the increased processing speed and power of the new Canon DIGIC 5 Image Processor, High-Speed Burst HQ makes it possible to capture fast action stills at full resolution during continuous shooting. The results are exceptionally high-quality images recorded in rapid sequence. In this mode, the PowerShot SX260 HS can capture a maximum of 10 shots in a single burst.*

Turn Your Memories into a Highlights Reel

720p Movie Digest

With the PowerShot SX260 HS digital camera, capturing trips and special occasions with a high-quality video highlights reel is as easy as switching on the Movie Digest feature. When activated, the feature automatically records the four seconds before each still shot as video, then auto-edits them into a short movie. Played back together, the video clips capture the mood and ambiance of special days in a way that's completely different from still images, both documenting the creation of still images and providing a unique stand-alone memory preserver. New with the PowerShot SX260 HS, the video is captured in 720p high definition so that it looks smooth and beautifully detailed when played back on your HDTV. With bundled software ImageBrowser EX, you can easily delete any scenes you don't want.

Pick Your Color

Available in 3 colors

The camera's silky-smooth coating provides a luxurious feel and radiates a deep, subtle sheen. And the fact that PowerShot SX260 HS is packed with serious specs and technological advancements doesn't mean you're limited to basic black: your color choice is as individual as the images you'll create. Choose from black, red and green.


The Canon 6196B100 PowerShot SX260 HS 12.1MP Compact Digital Camera, in green, is an ultra-slim camera with a powerful 20x Optical Zoom, Optical Image Stabilization and 25mm Wide-Angle lens but that is only the beginning of its attractions. You will see detail you never thought possible through the huge zoom and wide-angle lens, while the camera's 12.1 Megapixel High-Sensitivity CMOS Sensor and DIGIC 5 Image Processor deliver the rich, clear low-light performance that is the hallmark of Canon's HS SYSTEM. 1080p Full HD video in stereo is more beautiful than ever, with new high-resolution, high-speed processing. Sophisticated advancements include improved Smart AUTO that optimizes settings for 58 predefined shooting situations, Face ID that prioritizes pre-registered faces, and GPS for tracking and recording your shooting locations.